An activist organization has claimed to have scraped millions of songs from Spotify and is preparing to release them online.
Potential Boost for Artificial Intelligence Training
Observers noted the apparent data breach could boost AI companies searching for data to develop their technology.
A group known as Anna’s Archive said it had scraped 86 million music files from the platform and 256 million rows of metadata such as artist and album names. The company, which hosts more than 100 million songs, confirmed that the leak did not represent its entire catalog.
“We have located and deactivated the nefarious user accounts that engaged in illegal scraping,” said a Spotify spokesperson.
The Swedish service, which has more than 700 million users worldwide, further explained that an investigation into unauthorized access found a external actor scraped public metadata and employed illicit tactics to bypass DRM [digital rights management].
Archive's Declared Goal and Concerns
Spotify does not think the audio acquired by Anna’s Archive has been made public yet. Anna’s Archive, which is known for offering links to pirated books, said in a blog it wanted to create a ‘historical repository’ for music.
They asserted the audio files represented 99.6% of all music listened to by Spotify users and would be distributed via ‘torrents’, a means of exchanging large data files online.
“Of course Spotify doesn’t have all the music in the world, but it’s a great start,” said Anna’s Archive, which describes its purpose as “safeguarding humanity’s knowledge and heritage”.
Model Development and Copyright Debate
A composer and campaigner for defending artists’ copyright, said the leaked music would likely be utilized for training AI models.
“Educating models on illegally sourced material is sadly widespread in the AI industry, so this stolen music is almost certain to be used training AI models,” he stated.
The group's website makes references to a large online archive, a vast online archive of copyrighted books that has allegedly been leveraged by Meta to develop its AI models.
A founder of an artificial intelligence company wrote on the professional network that members of the public could in theory “create their own personal free equivalent of the service”. He added it could also enable technology firms to “educate models on modern music at a large volume”.
Copyright has become a key issue between creatives, writers and creatives on one side and tech giants on the other.
Government Proposals and Responses
Across Britain, creative professionals have raised concerns against a government suggestion to let AI companies use protected work without permission unless the owner opts out. Almost every participant to a government consultation on the idea has backed artists’ concerns.
The secretary of state for technology, research and development told parliament this month there was “no clear consensus” on the matter, noting that ministers would “use the time to get this right”. The administration has committed to make regulatory plans on AI and copyright by March 2025.